A.D. Drumm Images, LLC – Landscape, Portrait, and Fine Art Photography in Rochester MN Photography

February 8, 2014

SocialICE

Filed under: General photography,Rochester — Tony Drumm @ 11:37 am

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It’s WinterFest time in Rochester. For the past several years, that means the Peace Plaza downtown is decorated for SocialICE.

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The all-pedestrian First Street is decorated with all sorts of ice sculptures, most with some added lighting.

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We were surprised to see this little minigolf setup this year. I’ve been downtown for SocialICE a couple times, but Lynne hadn’t seen it before. I think this is the first time I took a DSLR to grab some shots.

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The highlight of the event is the bars made of ice. These have varied over the years from one huge bar with ice mugs to the several separate bars they had this year. Each has a different theme.

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The fireplace sculpture wasn’t a bar, but it was pretty fun.

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The themes and looks were all quite different.

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The ice-encapsulated fruit was pretty cool. All the workmanship was amazing throughout the plaza.

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And the lighting was as varied with reds, greens, whites, blues.

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Some of my favorite shots were of the people behind the bars. Where else but Minnesota would folks do this in temps hovering around zero Fahrenheit?

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The Paris themed bar was probably the most elaborate. The Eiffel tower was probably close to five feet tall. I didn’t notice the Louvre’s pyramid right away.

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It seems appropriate that there was an Olympics theme. When we first saw this bar, there was maybe one person in front of it. By the time we noticed it and pulled up our cameras, a rush of maybe eight or ten people pushed by us up to the bar. It wasn’t going to be clear anytime soon, so we walked on. When we came back, it cleared to only a couple people. I waited and hoped and finally was able to grab a shot before more people walked in.

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That seemed to happen a lot – there would be no one until we started to take photos. Then, boom, a big rush. It became sort of the inside joke of the evening. Still, I had fun shooting the artwork and some of the faces. And it was nice to have the good camera this time. I took my little S90 to SocialICE a couple or three years ago. It did a decent job, but sometimes the gear does make a difference. Low light is one of those times.

January 31, 2014

How I Became a Pirate at RCT

Filed under: Rochester Civic Theatre,Theatre — Tony Drumm @ 3:07 pm

Pirate 1

The current production – opening this evening – at Rochester Civic Theatre is the musical How I Became a Pirate. I attended the final dress rehearsal without an audience the other night to shoot the show photos.

It’s a fun and very fast-paced show. The energy of the cast is contagious, and the songs are catchy as well. While I was focused on taking photos, I still enjoyed it a lot. Somehow, it’s a nice counterpoint to the snowy and very cold weather we’ve been dealing with this winter.

Pirate 2

From a photographer’s point of view, there are some arrangements of the actors that I love to see. I know they will provide a great composition. This show had tons of them. The costumes are not vivid colors like some shows, but they worked well against the set and the splashes of red are nice. There are also several scenes with fun lighting.

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As I culled through my shots, I found there were many that I really like. I have to give props to the director and choreographer for the blocking that worked so well.

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It was also fun to see Mari, who has worked at the theatre for quite some time finally up on stage. She was great as a singing and dancing pirate!

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Except for Logan, who plays Jeremy Jacob, the cast is adults and young adults. But Logan is the center of attention, all the action surrounding him. And, he does a wonderful job in the role. I can’t possibly imagine having his confidence and abilities at this age.

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This is a show I’d not heard of before the RCT season was announced, and I didn’t have much idea what to expect. Generally, musicals provide more photo opportunities than a straight play. There’s that singing and dancing thing – usually a lot of movement, a lot going on, and not a lot of just sitting and talking. But I didn’t know if that’s what this show would be like.

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It was quite so. I took a ton of shots, and there was always something else going on now or soon. It keeps me on my toes, for sure.

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As I’ve become more of a theatre geek, I’m slowly growing my knowledge of shows. There are so many, of course. Part of the problem of producing live theatre is a public who shy away from shows they don’t know or haven’t heard of. I guess that happens with motion pictures, too – witness the plethora of sequels. But, it’s very worthwhile to go see new shows. They can be fun, they can make you laugh or cry, they can make you think. And we all need to exercise that bundle of nerves in our heads.

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How I Became a Pirate opens tonight at RCT. We’ll be there for the opening performance. It’s a terrific way to spend a Friday evening.

Meanwhile, I have now shot my first show of 2014! Hopefully, many more to come.

 

January 21, 2014

Imaging USA in Phoenix

Filed under: General photography — Tony Drumm @ 10:19 am

Morning Reflections

I’ve been away from the blog for a little while! I guess I’ve been busy and the holiday provided a good break, too. But I started off the new year by traveling to Phoenix, AZ for PPA’s annual convention, Imaging USA.

Bob Coates

I signed up for one of the many pre-conference sessions. It was a day out shooting in the desert with Bob Coates, a noted photographer who happens to live nearby. PPA has a host of awards one can earn – the set of pins you see on the lanyard around Bob’s neck represent a ton of work and demonstrate his knowledge and commitment to the art.

Desert Shoot

The instructional part of the day concerned shooting in bright sun more or less in the middle of the day. Even when you’re reasonably comfortable in such situations, attending a class like this provides plenty of new tips and ideas. Some are even just practical, like how a large diffuser can be held more easily by your assistant.

There were models, of course, and this couple were great, even if she has a dress that seriously needs ironing! (Yes, if I was shooting this for real, those would be gone.) I was standing there, mostly watching not really feeling the need to shoot. Then, this idea popped into my head. When I had a chance, I handed the fellow my phone, asked him to hold it to his ear, and asked the young lady to give me a look. I love props.

Desert Sunset

We hung around until sunset. We were in a large park with some nice scenery, although there were lights and people everywhere. But I got a few shots. There were actually a few clouds earlier, and we thought the sunset might be a bit more dramatic than it was.

RC Concepcion

The next day, the actual conference began. There were classes in several concurrent sessions in the mornings and early evenings, and the Expo was open in the afternoons. The classes were varied covering techniques, business, and some just providing inspiration. One of my favorite speakers was Joel Grimes whom I’ve seen at Photoshop World. I attended Gregory Heisler’s talk, also. Gregory is a photojournalist with a set of stories that reminded me of Joe McNally. I’d love to get the two together, buy them each a drink, and just listen.

Larry Becker, from Kelby Media, told me RC Concepcion was there (for just the first day). I didn’t see him until the opening party when he was shooting photos for attendees for Canon (the sponsor for the party). He was busy, so we couldn’t talk, but I did say, “hi!”

Opening Party Models

Photography-related conferences tend to have shooting opportunities. At Imaging USA, they had some sets arranged with models at the opening party. The main conference lasts three days. There were parties two of those evenings with plenty of food at both. Quite a deal.

Kenny Rogers Q&A

Kenny Rogers was presented an honorary Master of Photography award at the conference. He’s actually an excellent photographer. He had an hour-long Q&A session in which he discussed some of his photos, many of celebrities and many landscape images. He answered some questions from the audience and was coaxed into singing Happy Birthday to one attendee’s wife. He has some great stories.

Closing Party Model

There were more models at the closing party as well as a live band. Lighting in the room was really low, so many of the photographers shooting were using speedlights. I didn’t drag mine to the event, but this model was standing near the band. When I saw how the light was falling on her, I thought there might be a photo there.

Singer in the Band

Other instructors I particularly liked include Bobby Carlsen, Nancy Emmerich, and the Simones. They all had useful information to share. I need to look over my notes and try to internalize what was presented. Two of my favorite Photoshop instructors, Dave Cross and Julieanne Kost, both had sessions. It doesn’t matter how much I use Photoshop, I watch them present and keep thinking, “Oh!”

Now, I’m back from the desert to the snow. Imaging USA was fun and informative. Always learning…

December 7, 2013

Shows at Riverland and RCT

Filed under: Rochester Civic Theatre,Theatre — Tony Drumm @ 12:19 pm

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I recently shot two shows, one each at Riverland Community College and Rochester Civic Theatre. Both shows were shot live just a few days apart.

Riverland’s show was Boeing Boeing, a French farce taking place in the early 1960s as a fellow arranges to be “engaged” to three different women, all of them flight attendants. He is confident they will all remain ignorant of the others because they are in town on tightly scheduled days. But, they all inform him of the new Boeing jetliners that will make traveling so much faster and give them so much more time together. The typical farce activities then ensue.

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The show is staged in the fellow’s flat, so there’s a box set with bright walls and the lighting was, for the most part, nice and bright. There’s a lot of fast paced action, so having good light and being able to use faster shutter speeds was a plus.

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I think the name of the game for shooting a show like this is to watch for good expressions and gestures. Shooting a show like Rocky Horror, Riverland’s recent show, is in some ways easier. You have more extravagant costumes and sets, and there’s just more there visually to work with.

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Here, you have to be on your game and watching for the reactions. It’s really has to be more about the people, the characters. Otherwise you have only a couch or a table and a wall. Big musicals deserve to be about the characters as well, but the environment is entirely different, and one can make good looking photos without as much thinking. Of course, the great shots use that environment just to fill the frame and draw us to the characters.

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Over at Rochester Civic Theatre, they are producing Winter Wonderettes. This is a follow-on of Marvelous Wonderettes, a show they did early last season. It’s basically a show filled with 1960s period songs, in this case holiday songs, with a plot loosely woven through it. There’s a band on stage, up stage of the action, and four women actors/singers.

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A show like this, more of a musical review than a more typical musical (and RCT’s last show was Les Misérables), is more about finding the moments than the story. While I have shots showing the story along the way, it’s the “moments” photos that I like best.

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This show has some nice lighting effects to capture in photos. They help to draw us to a particular person, our subject for the photo. There were plenty of solos that have the lead singer in the spotlight, and the others together either watching or, more often, singing backup. Nice moments.

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Then, there are whacky moments. It’s an entertaining show, and it’s filled with many of these.

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Technically, the lower light and contrast-causing spotlights make this sort of show more challenging than the box set farce. But the latter, as I said earlier, has its own challenges – more from a compositional and art point of view.

For me, the diversity is fun. While I can categorize each show photo shoot to some degree, they are all different, and the differences keep the photography enjoyable.

Winter Wonderettes is still in production at RCT. I’ll be there again tonight. It can be a great way to spend a cold December night in Rochester!

December 1, 2013

Buying a Camera or Upgrading

Filed under: General photography — Tony Drumm @ 10:49 am

I read a lot of discussions on forums and Facebook that begin with someone asking, “what camera should I buy?” Or, “I’m upgrading, should I buy camera X or camera Y?” The comments tend to fall into categories. “You should buy X. That’s what I have and I love it.” “Forget about X or Y, you should buy a camera from another manufacturer. (Oh, and that’s what I have and I love it.)” “Here’s a site which compare X to Z created by folks who don’t know what they’re talking about.” (They usually don’t add that last part!) “Here are some random ‘facts’ that are, actually, incorrect.” And, usually swamped by the others, there might be one or two “What do you need? What kind of photos are you taking? Why do you think you need to upgrade?”

I will sometimes throw in my two cents in that last category, but it’s difficult in these forums to have the sort of conversation that’s really required. And, sometimes, I think the original poster already has made up his or her mind and is just looking for other folks to confirm the decision. We all like to feel we didn’t blow a ton of money for the wrong thing. That’s also behind all the comments from people arguing in favor of what they own.

The first question that should be asked is, what do you need? It’s a broad question with several sub-questions. What sort of photography do you do? What sort of photography do you want to do? If you have a camera now, what doesn’t it do or do well that you’re looking to improve? If you primarily shoot sports, that may lead you in a different direction than for shooting scenery on your vacation. Would your needs be better served by purchasing a different lens?

Where are you getting your information and recommendations? How well do you know the source? Is it someone you know personally and trust (and can even show you examples to back up the claims)? Or is it from some random website (ahem – like this one!)? I’ve seen several sites that purport to compare two cameras, comparing a list of features. Let me tell you, most of them are rubbish. There was one site that gave the nod to a mid-level pro camera over a top of the line camera and the biggest factor for the former was popularity. Seriously. Who would have thought a $2500 camera was more popular than a $6000 model? Ugh.

Let’s try to look at this somewhat sensibly. There are a ton of cameras from many manufacturers that will take boffo photographs. The quality from modern cameras is staggering. You can easily be led down a rabbit hole by people harping about quality. I saw a comment once, totally off-topic from the original question, pointing everyone to some site with diffraction curves for a lens. The commenter was basically just bragging about his knowledge and (as so often is the case) justifying his own purchase. In fact, the knowledge part was debatable.

I wrote once about focusing on the art and not the technical aspects of photography. But it is easier to learn facts and figures than learn how to see with real vision. Photography has always had that technical side that can too often dominate the conversation.

Does sensor size affect the image? Yes. Usually, a larger sensor is better in low light. A larger sensor will provide shallower (apparent) depth of field at a given aperture. If you want someone’s eye in focus but nothing else, a big sensor will help you achieve that look. The down side is, to get a particular field of view, you need bigger lenses. The field of view from a 200mm lens on an Olympus OM-D is equivalent to a 400mm lens on my 5DMkIII. Let me tell you, the size and weight difference between those lenses is huge. If you want to go to a full-frame sensor like mine, you should understand these pros and cons. You should need the pros and be ready to accept the cons.

Is size and weight a factor? Will you be carrying this camera around all day? Just using it on a tripod in a studio? There are now many small (but not necessarily inexpensive) cameras available. Sony has a line of very well-reviewed cameras with large sensors, even a full-frame one now. Olympus and Panasonic use the 4/3 sensor size and have built some nice cameras that can all share lenses. Fuji is in the mix as well as Samsung now. I’ve mentioned renting the Canon SL1 for a vacation which was great for me. Nikon has it’s “1” series of mirrorless cameras.

Do all cameras provide the same image quality? No. Generally, though, those with the same sensor will have similar image quality (given the same lens, etc.). Newer gear may or may not have improved sensors, but maybe other features are important to you. Between two cameras, will the image quality differences be noticeable to you? In many cases, the answer might be no. Low light capability is one that may be a factor, but extra noise may not be noticeable on your Facebook post. Or, you may not shoot that much in low light conditions.

How does the camera feel in your hands? Is it comfortable? Are you able to reach the controls you use? When I used the SL1, I found it a bit awkward to change certain settings. Those adjustments are simple on my 5DMkIII. But I adapted and was more than happy to cope with this when I could carry it around all day without getting a sore shoulder. And, the SL1’s touch screen was great. I used it more than I expected. Sometimes, you won’t know what you like and don’t like until you’ve used the camera for a while. These are things you typically won’t see discussed in open forums.

Do you have a set of lenses that you hope not to replace, at least not all at once? If you shoot Canon and have any EF-S lenses, they won’t work – at all – on the full-frame cameras. If you shoot Nikon, you can move up to full frame and keep your lenses, but they won’t let you use the full frame. Obviously, if you shoot with one system (e.g. Canon), switching to another (e.g. Nikon) usually means all new lenses. There may be adapters, but they have their own issues. Factor this into your costs.

What other features are really important to you? Canon’s new 70D has an all-new sensor that provides much better focusing for video of live view (when you look at the scene on the LCD rather than through the viewfinder). If that’s how you shoot, this might be important. Many newer cameras include GPS to add location information to your shots. You might like that for travel and landscape photography. If you mostly shoot your kids at home, it’s probably less important. Newer models also are including Wifi. That could be nice for pushing photos to Instagram or Facebook. Both of these features use some battery power.

Speaking of batteries, some cameras will run on a battery for a thousand shots. Others are done with 200. Is that important? Do you need an articulating display? Those are helpful in letting you put the camera really low or above your head. Or for selfies!

So, where can you get good information to help you decide? I like dpreview.com which has many good reviews. They can be a bit technical, but they cover lots of info even including how the camera fits in your hand. I also highly recommend renting a camera before you buy it. I’ve rented from LensRentals, and I’ve heard good things about BorrowLenses.

Take user reviews and comments on discussions with a big grain of salt. Be especially wary of those who try to steer you in a completely different direction or push highly technical nuances. If you can use before you buy, that’s great. Maybe you rent or borrow from a friend. Find someone you trust to help. Eventually, if you keep at it, you may find yourself becoming that trusted friend for someone else.

November 16, 2013

Senior Photos

Filed under: Portraits — Tony Drumm @ 10:08 am

Anthony

It’s funny. When you tell someone who isn’t a photographer that you like to take senior portraits, you often get this look. You can see the wheels turning. The person is thinking, “are you going to nursing homes?” No, no, no – high school senior portraits! Oh! I suppose our senior citizens deserve good photographs, too, but that’s another genre entirely!

Anthony at Mayo HS

I had the privilege to shoot photos for a couple of high school seniors recently. They both did a great job, and both took my direction well. And they were willing to try various ideas.

Anthony - Soccer

That was in spite of the weather. It was dry – mostly – but colder than I’d prefer, especially for them. On the other hand, we had mostly overcast skies for both sessions. That provides us nice even light. Even light can be great, but it’s also flat. Shadows – which help define shape – fade away. So, it’s not really ideal.

Anthony - Cityscape

However, it does provide a rather ideal foundation for us to add light. I don’t have to fight the existing light but instead build on it. For me, a key is to work in light so that it fits with the existing light, looks natural, but shapes the face the way I want. This shot of Anthony was one I particularly enjoyed. We had several with the Rochester cityscape in the background. I think it makes a cool setting for senior photos.

Baustin

Something I’m trying to consider is how can we make photos that aren’t what everyone else has. Some shots become popular and are suddenly ubiquitous. Like the young man or woman standing on railroad tracks. You see it and think, “hey, that’s cool!” Then there it is again. And again. It becomes sort of cliché.

Baustin - Plummer House

So, I look for something that at least to me looks different. Or at least different for a senior portrait. Mixed in with those are shots I think are more classic, more timeless (well, except for hair and clothes). One of the photos will end up in the student’s yearbook, and I think those should focus entirely on the student and should be a close shot that won’t be lost when printed small in the yearbook.

Baustin by Plummer Tower

It’s also fun to explore some newer techniques for one or two shots. Baustin by the Plummer building tower was shot with just natural light but using several shots and tone mapping to pull out the detail. Shooting a human subject with this technique requires the subject to stay as still as possible. Baustin was terrific.

Baustin at Soccer Field

Both Anthony and Baustin are soccer players, so it was fun to take some shots of them on a soccer field. I have a couple action shots that I may show in a future blog post. Especially for Anthony’s shoot, there was a bit of mud to deal with. We had a good field for shooting, though, with a nice background to work with.

I hope they both like their photos. Hopefully, the images will carry memories of the good times in high school, what they did and who they were. Photos are all about grabbing a moment in time and carrying it forward.

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