A.D. Drumm Images, LLC – Landscape, Portrait, and Fine Art Photography in Rochester MN Photography

May 5, 2013

Contest Winner

Filed under: Beautiful Earth,General photography — Tony Drumm @ 10:27 am

Downstream from Bridal Veil Falls

I want to thank the folks who entered my little contest. As I mentioned, this was to celebrate my current display at Rochester Civic Theatre. I was pleased that many of my models have been able to see the images I made from our shoots.

The contest winner is Scott Stekel. Scott chose the photograph above, Downstream from Bridal Veil Falls. I shot this photo during a workshop with Moose Peterson in Yosemite a couple years ago. It was my first trip to Yosemite National Park – the place is just incredible, especially for a photographer. It’s so easy to see why the valley drew photographers like Ansel Adams.

We were there in January. There was plenty of snow on the ground – some large snowfalls had occurred in December – and the falls were running great. In terms of getting around, we were lucky in that it wasn’t snowing while we were there, but the roads were a bit icy. On this particular morning, we headed to Bridal Veil Falls. This falls is on the south side of the valley. In January, this means it’s on the side that doesn’t receive a lot of direct sunlight.

Bridal Veil Falls

The trails below the falls were pretty snow and ice covered. We had already had some mishaps at the base of Yosemite Falls with folks losing their footing. The trail leading to the falls looked particularly tough to navigate. I had my Yak Tracks for my boots – back in the hotel room. We wandered instead around the creek leading away from the falls.

Eventually, I thought I’d try to walk up the trail by walking off to the side where the footing was a bit better. After about 100 feet or so, the trail dried out, and I thought, well this won’t be any problem. But, approaching the base of the falls, it started becoming slick. Very slick. Sort of like polished ice. I could see part of the falls, and the path meandered to the left around some rocks and vegetation. I would take a step and then slide downhill. I tried using my tripod as a walking stick, but it was just not going to happen. I managed to capture a few shots like the one above, but that was it. I wasn’t going to make it to the base or to anywhere with a view of the entire falls. The wind was blowing and even shooting these shots left my lens coated in soon-to-be-icy mist.

I retreated back down the still hazardous trail. But I did take some shots of the flowing water that I liked. The photo Scott selected was my favorite of those. I think I like the color, the movement of the water, and the simplicity and intimacy it presents.

Congratulations Scott! And thanks again for entering!

April 6, 2013

Philadelphia Story at Riverland

Filed under: General photography,Theatre — Tony Drumm @ 8:35 am

Philadelphia Story 1

Well, things have been busy here since I returned from Grand Canyon! There have been various shoots – including a wonderful session with my grandson to celebrate his first six months. I’ve created a couple posters that will be on stage in Max’s office of Rochester Civic Theatre’s production of The Producers. Looking forward to that – it’s fun having your work up on stage! And, I’ve been preparing prints to be displayed in the RCT lobby during the run of The Producers. What I haven’t been doing is blogging!

I thought I’d post up a few shots from my recent photo shoot of The Philadelphia Story at Riverland Community College in Austin.

Philadelphia Story 2

I’m actually not familiar with the Cary Grant, Katharine Hepburn film. When shooting a show live, I seem to maintain only a slight connection to the actual story. I’m focused on the visual elements and trying to capture the sense of the show in my pictures.  What I do see and understand are the expressions of the actors.

Philadelphia Story 3

Most of the action in the story happens in a box set of this one large room. The wall color add some nice interest, but the lighting plays less of a factor in a show like this than in a, say, a musical or a show with deeper themes such as Shadowlands I recently shot. Working with this lighting, my goal is to capture expressions, interactions between actors, and other compositional elements – leading lines or triangular compositions.

Philadelphia Story 4

On either side of the box set, we had small set elements used now and then. Those gave me nice dark backgrounds helping to pull the actor or actors out.

Philadelphia Story 5

And some of the more intimate interactions happened in these small sets.

Philadelphia Story 6

It’s interesting and fun to shoot a variety of shows. A romantic comedy is different to shoot than a farce which is different from a musical. I begin each shoot looking over the set, thinking about possibilities, and where I should be standing. Or, more correctly, what various places might make good shooting positions.

Philadelphia Story 7

With a live shoot, sometimes my positioning works out, sometimes not, but thinking about it up front helps. As the players move, I try to see the composition I want and react accordingly. It’s always challenging and always a blast.

This year is shaping up to be an excellent one for local theatre. RCT has already announced their 2013-2014 season which kicks of with Les Misérables this fall. I can’t wait to shoot that show. And, of course, The Producers opens in less than a week. (And, a week from tonight, my photo display will be up in the lobby!) That was the first show we saw on Broadway. The other show we saw on Broadway, Spamalot, will be produced by Summerset Theatre in Austin, MN this summer. Very cool, and it will be fun having Spamalot playing in the city that’s home of its namesake meat. Then the Plainview Community Theater has announced their musical for the fall, Wizard of Oz.

So, folks, you have no excuses – get out of your easy chair an into a theatre!

February 27, 2013

K&M Adventures – Grand Canyon

Filed under: General photography — Tony Drumm @ 8:56 pm

I love photographing people, but heading outdoors to experience the earth and nature can be tremendously rewarding. As a photographer, it can be challenging trying to capture the wonders around us into a simple photograph. Adding to that challenge are the iconic places so often photographed. How do we bring something new to the table? How do we infuse a photograph with something of ourselves?

I enjoy workshops, spending time with other photographers while learning something new or absorbing some of the artistic energy of the workshop leaders, making it part of my own artistic makeup. I’ve now attended three workshops run by Moose Peterson, a renowned wildlife and landscape photographer. The first Moose workshop I attended was in Kauai a few years ago, part of his Digital Landscape Workshop Series. Even though I’d been shooting for years, the experience was amazing, and I think it’s fair to say it changed my photography.

The DLWS workshops, held for several years, are now history. His new venture is K&M Adventures, run with his good friend, Kevin Dobler. Kevin was also a regular instructor at DLWS, and like Moose, loves landscape and wildlife photography.

Wouldn’t you know, Moose announced a K&M Adventures trip to Grand Canyon. I visited the canyon when I was 15. While it would be a few years before I’d use an SLR, I still had a strong interest in photography. I remember the disappointment with capturing the grandeur of the place on film. It’s just so big it defies our efforts to describe it in an image. Frankly, standing on the rim, it is surreal even in person. So, it seemed the perfect location to learn and Moose and Kevin were the perfect photographers to teach. I called to sign up right away.

Photographers' Breakfast

K&M Adventures really is a different concept and approach. The group is limited to eight students, and we spent nearly the entire time together – sunrise shoots, then breakfast, a noon get-together for questions and one-on-one help with finishing photos, then our sunset shoot, and finally dinner. Meal times were great with lots of socializing and laughs. Kevin is a flight instructor, so I could talk photography and flying – pretty much all I could ask for!

God Beams

Then there was the shooting. We had terrific photo weather the first couple days (that is, cloudy and snowy). Clouds bring character to the canyon. Blue skies make it tougher to add drama to a photo. In an iconic place like Grand Canyon that has been photographed regularly for the past 150 years or so, we need a little drama.

Snow Storm

When there were tons of clouds, the entire canyon could be filled with white – clouds and snow – and there’s nothing to see. Or, they could pass by, opening the canyon for us while providing a snowy region to make the subject of a photo. Clouds give life to the rocks. Indeed, such a landscape exists because of the interactions of rock and water.

But even an evening with just some high clouds could be good. I’ll never forget the evening shooting before the sunset looking for something, anything, that might really pull me in and help involve someone viewing my photo. Sort of an okay sunset, but nothing special. Then, just as the sun disappeared, the canyon literally lit up with magenta light. It happened in the course of a minute or so.

Magenta Canyon

In fact, I was pretty much done shooting, when, WOW! Surprises like that can just make your day. Patience is a virtue a photographer needs. Not every shoot will provide a winning shot, but you don’t really know until the light is gone.

Sunset at Desert View

Grand Canyon is a wonderful place for a photographer and has been for more than a century. The colors are fabulous, but the textures and lines and levels give us plenty of opportunities for dramatic black and white images as well. Imagining all the photographers who have come before, so many carting their big 8×10 glass plates around the rim and into the canyon, it’s awesome. It’s worth stopping from time to time, too, just to put the camera down and look. Experience millions of years of evolution of our remarkable little dot of a planet. Wondrous.

K&M GC

Moose and Kevin are terrific teachers. Their understanding of visual perception and ability to impart that knowledge on the students is fabulous. It really doesn’t get much better.

January 23, 2013

More Framily Photos

Filed under: General photography,Portraits — Tony Drumm @ 7:03 pm

Beccas Framily 1

My previous two posts showed a couple specially processed photos from the session I shot with these folks. They refer to themselves as Framily.

Beccas Framily 2

I thought I’d show a few more normal shots of the group. They had a lot of fun ideas – as you can tell from the earlier shots. Most are theatre folks, so as the photographer, part of my job is just get out of the way and work with what they give me.

Beccas Framily 3

And usually, that’s plenty. You can see how camera shy and reserved they are.

Beccas Framily 4

It makes the shoot a lot of fun. For me, anyway! I think they were enjoying the shoot, too.

Beccas Framily 5

I did some post work to clean up the background and help them stand out.

Beccas Framily 6

But they came dressed for the occasion, with black that worked well against the white background, and some other bold colors.

Beccas Framily 7

Gesture, being an important part of a photo, was not much concern for me.

Beccas Framily 8

All in all, it went well, we all enjoyed the shoot, and I think we have some decent images out of it. Hopefully, Becca and her framily will think so, too!

January 16, 2013

These Guys Are Trouble

Filed under: General photography,Portraits — Tony Drumm @ 6:00 pm

Watch Out

Here’s another short post with another photo from the group shoot I did. Couldn’t let the guys off the hook. Looking at their pose, there just had to be something big happening behind them.

I don’t know – do these guys look like they belong with the gals from my last post? You decide.

January 11, 2013

Postprocessing – Part of making and image

Filed under: General photography,Portraits — Tony Drumm @ 5:58 pm

Becca's Friends

During the holidays, I did several shoots. I’m slowly catching up with them. I’ve been doing more work on my I Dance personal project I’ve blogged about before. I’ll discuss that project in more detail eventually – perhaps after I display some of them at RCT’s run of The Producers – but the link to today’s topic is postproduction.

I enjoy working a photo in Photoshop perhaps as much as I love shooting. Back in the day, I was happy to spend time in the darkroom creating prints and exercising the various techniques I knew to achieve the results I wanted. But it was slow – incredibly slow by today’s standards. And there was the chemicals and the costs. The color paper I used, Cibachrome, was great but very pricey.

For most of my photographs, post means some adjustments, culling out the best shots, maybe hitting Photoshop or a plug-in for a few. For some, though, I look at the image and try to let it speak to me – what does it say, what’s it want me to do.

So it was with the image above. I did a shoot with Rebecca and several of her friends. The gals all got together to do this shot. Jay Maisel says with a shot like this, it’s not my photograph, it’s our photograph. That’s very true, and as I’ve said before, I love shooting actors. This Charlie’s Angels pose is pretty common, but actors give it that something extra.

Looking at it, it said I needed to extract the women and it said red. Okay, I have to admit it – a lot of images say red to me. I pulled them off the background and added the yellow-red gradient background, then did a couple finishing touches with Perfect Effects and Color Efex Pro. When I was done, it looked like a square crop would complete it.

I have a lot more work to do with the other shots from this shoot, but sometimes I have to start with the one that speaks to me the loudest.

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