A.D. Drumm Images, LLC – Landscape, Portrait, and Fine Art Photography in Rochester MN Photography

November 13, 2010

A drive-through Halloween

Filed under: General photography,Rochester — Tony Drumm @ 12:34 pm

This year, we had at least two Halloween events happening around Rochester. There may have been more, but I know the folks involved in creating two events. I managed to shoot a few images at both.

It’s fun to photograph events and situations that are unusual and have unusual challenges from a photography point of view. Dark haunts count as challenging. How do we deal with existing light or how do we bring in light without changing the mood, or at best, enhancing the mood?

The History Center of Olmsted County put on a drive-through event. A large group of actors were set out along a gravel pathway through the back part of the History Center property where farm buildings and equipment dot the landscape. Appropriate costumes and make-up, lots of props, and the scary drive was ready for visitors.

And visitors they had! We arrived a little before closing time planning to drive through as the final vehicle of the night. Two hours later, we were finally at the starting point. It was a cool, windy night, but much better than some of the late October evenings we’ve seen in Rochester.

I planned to walk alongside the car and do the shoot from outside. This would let me shoot the car as well as the spooks, put it in perspective, and provide a documentary feel to the photos. Now, what about lighting?

When I asked about how the area would be lit, the response was a few lights from the buildings plus the vehicle headlights. That’s not a lot to work with for photography and doesn’t provide any control to let me highlight the various actors, make-up, costumes, etc.

One thought was to use an external flash, maybe gel’d, and try to simulate headlights. I then came up with the idea to use a powerful flashlight to do this. We could keep it down sort of at headlight height, it would have a similar color temperature as headlights, and it would let me move and adjust it as needed.

My friend Lance agreed to be my grip, handling the flashlight for me. I think it worked well, and Lance did a great job of working the light. We did cheat a bit with some shots, blasting the light a little higher than a headlight might. But, well, think of an SUV with its high beams on! Yeah, that works.

The light was nice and direct, centered, with good fall-off. All of that appears to mimic the headlights exactly as I wanted. Having the car in many of the shots does the trick, too. All-in-all, I’m pretty pleased with the results.

Photography is all about light. No light, no photo – it’s pretty simple. But just having some light, perhaps enough to burn some photons on the camera’s sensor and make an image, isn’t always enough. For me, photos need to evoke some sort of feeling, connection, mood. And a scary Halloween event would be totally missing those characteristics if we’re not careful with the light, shaping it as needed. Hopefully, I’ve achieved my goal here.

I attended another event the same evening with a completely different feel. I’ll blog about it later.

October 20, 2010

A Session with Andy

Filed under: General photography,Portraits — Tony Drumm @ 8:13 pm

In July, I attended the Artists Happy Hour at RCT which I wrote about. I was intrigued by the forms, the guitar, the tattoos, the color. The fellow whose arm this is, Andy, contacted me about maybe shooting some other photos showing his tattoos. They all have some meaning for him, and he designed several of them.

I liked the idea and thought it would be an interesting creative exercise. In August, Andy came by and we did a photo session. I had a few ideas in mind, and we tried those. I also found a tripod way too confining and pulled the camera free to let me move around.

This basic pose was one I had pictured in my head. I used two lights for all these photos. Many of the shots just screamed for some creative post-processing work, although all of the Lightroom and Photoshop work was fairly straight-forward with little to no special masking or touch-ups. Basically, I just applied global effects to add to, or hopefully enhance, the character of the photograph.

It is my favorite photo from the session. I’ve printed it on canvas – it looks great that way. I then pulled out some gels to see what we could do.

The combination of red and blue gels was awesome. The colors look good together and blend into a wonderful magenta. I think they add drama to the shot. When I later removed the gels, I had to adjust to the colorless images I was taking. It forced me to think through the shots carefully, since I no longer had the bold colors.

This was my favorite of the gel’d shots. After processing this image, smoothing it quite a lot, I decided it would make an interesting metal print. These are prints embedded into aluminum. They have a hard, very glossy finish with rich, deep colors. I don’t think they work for every photo – far from it – but this shot looks good on aluminum.

I was looking for ways to highlight the tattoos on Andy’s hands. I asked if he had a harmonica, which he did. He says he uses it more as a tuning tool, but he sounded pretty good playing it. I like that this prop gives him a reason to have his hands there, and I used the lighting to show that tattoos.

Andy knocked the harmonica against his hand to dry it, and that presented a new photo. Strong, warm light works here.

How do we get a natural pose and show these tattoos on his hands? This one works, I think.

I took a few shots at the end of the session that really focus on Andy and his face rather than the tattoos. This photo is my favorite of those. I like the lighting and his concentration.

A musician and poet and a photographer. I like to think it’s art that makes us human and unique among the animals on Earth. I like to think of photography as an instrument to make visual music. Whether anyone else agrees, I guess, doesn’t really matter. But that evening, two artists made some music. Of that, I’m sure.

October 13, 2010

LDR? Painterly image from a low dynamic range

Filed under: Beautiful Earth,General photography — Tony Drumm @ 7:12 pm

A particularly hot type of photography – really, a type of photography post-processing – these days is HDR, or High Dynamic Range. It’s sort of a misnomer. Let me explain…

Human vision is incredible. In a way, digital cameras are somewhat similar. There is the eye, or the sensor, and the brain, the processor. The sensor just gathers the light and the processor makes sense out of it. Our human vision uses a processor unlike any other. We take in the light around us, but we mix it with the input from our other senses plus our expectations and moving eyes and head and convert it all to what we call vision. We can see all sorts of images unrelated to our subject, and we can instantly tune it out. We see what’s important.

We see over a huge range of light and dark. Technically, this is known as dynamic range. It’s the same term used for audio – the range from the softest flute to the pounding drum of a symphony. In the visual realm, it’s the range of light we, or our cameras, can see and differentiate detail. Human vision has a large dynamic range, but our cameras do not. Not only our cameras, but our displays and printing technology are limited in the range from lightest to darkest.

For HDR imagery, we cheat. We take several exposures which allow us to capture detail from both highlights and shadows, then combine those images using a technique called tone mapping. Remember, we don’t really have a way to show or display the dynamic range our eyes can perceive. Instead, we map the highlights and shadows into this smaller range. Two parts of the image which should be different – one lighter than the other – are shown with the same intensity allowing us show all the detail we wish.

The images can look unreal because, well, they aren’t very real. But they can look very interesting and can be captivating. The term painterly is often used to describe these images.

When I was at Whitewater State Park last Saturday, I took the photograph above. At the time I shot it, the sun had disappeared below the bluffs. The light I was capturing was sunlight reflected by the sky. This light is very even, coming from everywhere in a way. The result is an image with a fairly low dynamic range. The camera is able to capture the entire range of lightness with no trouble. Without applying any postprocessing, the photo will be flat. Another word for flat is boring.

In Lightroom or another photo editor, we can punch up the image to add contrast and color. What we’re doing is sort of the opposite of HDR, but we’re tone mapping just the same. Rather than compressing the dynamic range, we’re expanding it. I nearly always do that with flat images, and the result is often very nice. I liked the photograph I made. (Ansel Adams said, he didn’t take photographs, he made them.)

But we have more options, more possibilities. We can push the limits and see what happens.

When I took this photograph, I saw strong vibrant golds that glowed. That’s what my brain told me. I knew this was a low dynamic range situation, and I knew I would punch it up in Lightroom. But the more I looked at it, the more I wanted. I wanted the colors to jump out at me. I wanted you to feel the golds. I wanted the other shades to work against the gold, providing color contrast, not just lightness contrast. I wanted the dark bark to push the viewer toward the golden leaves and frame them in.

Using mostly Lightroom with a bit of Photoshop help, I think I was able to capture my vision. This image, to me, screams to be printed and printed big. It might not be everyone’s favorite, but it speaks to me. It draws me back to Whitewater in Autumn, to the wonder and splendor of nature. Why do leaves change color if not just for us to see? And to make into a photograph.

October 10, 2010

Whitewater State Park in October

Filed under: Beautiful Earth,General photography — Tony Drumm @ 7:11 pm

After one of the wettest summers I can remember and a 7 inch rainfall over less than two days, we’ve been given a beautiful start to autumn. Last week was amazing, and the weekend was actually hot. I headed out to Whitewater State Park yesterday late afternoon to see what I could find for autumn colors in the fading light.

Many of the leaves were already gone. Some wildflowers are still hanging on.

I’m always amazed by the flowers that show up this late in the season. Bumble bees were out and about apparently also enjoying the flowers.

But there were still some nice leaf colors to enjoy, like those in the first photo above. Sometimes, there are just a few glowing in the fading sunshine.

Some are rich with color.

As I filled the frame with these oak leaves, I was struck by all the red. So much red, the leaves almost disappear into one another.

I found these leaves hanging out over the river which provided a wonderful dark background to help them pop.

It was a nice evening, and I worked up quite a sweat even with the temperature falling with the sun. I was hoping for more leaves, but I had already decided to mainly focus in tight. I find I really like these leaves-up-close shots. They tend to be less common than the grand colorful hillside photos, and they give you a sense of connection to the individual trees producing all that color. I like to fill the frame with a color.

I like to contrast that color with the darkness of  the trunk and the branches. That’s why my favorite of these shots is the first one I showed above. It feels a bit like a painting to me. A variety of muted colors and the golden leaves against the blacks of the bark. A successful hike.

September 18, 2010

Vegas People and Reflections

Filed under: General photography — Tony Drumm @ 9:55 am

On Saturday after Photoshop World, and after taking in Red Rock Canyon, I decided to wander down (or up?) the strip with my camera. I took a few shots that I like, and they look good. But the strip and the big casinos have, I’m sure, been shot over and over from every which way by all sorts of photographers, many of whom were terrific.

I needed to find something different, a new angle or perspective. The conservatory in the Belagio is great and makes a perfect place to watch people. And people are always different, so that seemed like a good place to start. Oh, the cameras! Everywhere. I started shooting folks shooting.

I also began offering to take photos for couples and others for them to be all-in, for use of an appropriate term. These three young women accepted my offer with smiles. One of them says, “you don’t know what you’ve got yourself into!” As she says this, she and her two friends all reach into their bags for their cameras. Three shots, not one! I’m in no rush, so that’s fine by me. I look around and find a good angle. Then I look at them and say, “okay, you two get closer, oh, and tilt your head this way…” They laughed. I don’t think they expected that, but what can I say. I’m going to give them the best shots I can.

I really wonder if there was anyone there who didn’t have some sort of camera. Probably not. Cell phones were in use. Point-and-shoots. DSLRs. Maybe the real question is, was there anyone there not taking pictures? I don’t think so.

There were clicks and flashes happening all around.

After spending some time there, I walked back outside to the 108F sunnshine still thinking about finding my perspective in this busy place. Then I saw this reflection. Reflections! Yes – one of my favorite subjects (see my entry about the photowalk in July). There were indeed many reflections to take in and to photograph.

The Pink Jeep guide for the Red Rock Canyon tour told me the unofficial state bird of Nevada was the construction crane. So this photo was perfect. Of course, I related to her our state bird in Minnesota, the mosquitto.

I didn’t see many street performers which is a bit surprising in a city the size of Las Vegas and with the large number of tourists. But I ran into this fellow who gave me a great smile as I dropped down to take his picture. I started this post with people-shots, so it seems appropriate to end the same way.

I thanked him and left him a little cash. I’m left with reflections of my own from my trip to Photoshop World. Reflections of the people I met, the great photographers and artists who shared their inspiration and techniques, the vendors who would take time to talk one-on-one, the other attendees as passionate and happy to be there as me.

September 7, 2010

Photoshop World – Vegas 2010

Filed under: General photography — Tony Drumm @ 9:49 pm

I’m still recovering, as it were, from my first Photoshop World. Recovering means trying to digest and process the information and inspiration packed into my head during four days in Las Vegas. I started out taking a six hour pre-conclass (the day before the official start of the conference) on wedding photography by David Ziser. David is a renowned wedding photographer and recent author of the book, Captured by the Light. His focus for classes, tutorials, and his book is primarily how to achieve great lighting. His portfolio speaks for itself.

The plethora of amazing photographers all gathered in one place, showing their techniques and points of view is awesome. It’s also interesting to compare their approaches. Their emphasis can vary quite a lot, but in all cases, the ability to interpret, control, and record light in a manner that matches their vision is foremost. I’m still processing the insights imparted by these legends.

The conference is put on by NAPP. The NAPP president, Scott Kelby, is a musician as well as photographer and Photoshop guru. (See my links in the sidebar to both Scott and NAPP.) Scott’s band, Big Electric Cat, opened the festivities on Wednesday and provided the entertainment at the PSW party that evening. I enjoyed their music, but maybe enjoyed shooting tons of photos of the band even more. Two or three of the shots of Scott show him looking right at me, but I don’t know that he actually saw me shooting away through the lights.

With my love of theatre and doing show photos, this isn’t a huge stretch for me, but it’s super fun to see if I can catch a moment here or there, like this next shot.

Scott’s wife, Kalebra, is the lead vocalist. I have quite a few decent shots of her, but catching this glance over at Scott – the look on her face and in her eyes – this is “the shot” for the night. A moment in time captured. It’s what shooting people is about. Emotion.

As you might guess, PSW is not all about classes and work. All these artistic-types know the importance of laughing and having fun. The keynote and the party were great fun. The classes were, too, in their own way. 

Midnight Madness, a get-together Thursday night at 10 PM,  lived up to its name and the guarantee that attendees would not learn a thing about Photoshop there. I have to say I loved all the cheesy contests and shenanigans. I often think it must be a blast working on David Letterman’s or Jon Stewart’s shows in the art departments, putting together the graphics and Photoshop work, even when it appears on air for just seconds. The NAPP folks who worked on Midnight Madness must have had a blast, too.

Yes, lots of fun. I really did attend classes, too, though! I just didn’t take photos. I needed to keep my attention on the instructors to absorb all I could in the one-hour sessions. Oh, and the Expo – where the vendors hang out and where attendees like me tried not to drool too much. But I’d rather drop a few bucks there than in the slots down the hall in the casino. I like the odds. Spend carefully, and the return on the investment could be good indeed. If not financially, then artistically.

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